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Fear of FOMO

It’s very strange to talk about FOMO (fear of missing out). I recently made the decision to not attend MegaConLive in Manchester because I had such backlog of photos I want editing I didn’t want to add to my workload but also the trains services were on strike that weekend and I didn’t feel like driving to the event as I was very exhausted, therefore unsafe to be on the roads. But because of that, I keep seeing on my personal Facebook page, people selfies of the event and it made me feel so gutted I didn’t attend this event, see friends and familiar faces and also see all the cosplays at the event and create wonderful photos for them. 

What is FOMO? Fear of missing out is the feeling of apprehension that one is either not in the know or missing out on information, events, experiences, or life decisions that could make one’s life better.

I think I’ve always had a form of FOMO throughout my life without realising it. From my perspective I love being involved in things but seeing friends’ photos of them doing exciting things such as attending expo events, location shoots, just hanging out, or even video chats, I would feel a bit left out. It’s so stupid to feel like that because there are legitimate reasons why I’ve not been invited, such as not being close to that friend group, limited numbers, distance to expo event, etc, some are even personal issues such as lack of funds to go. 

It’s very hard to describe the feeling of FOMO, but partly for me, it’s that loneliness and emptiness. As of writing this article, I’m a single person and going home to an empty home isn’t a fun experience and at times this compounds the FOMO I experience. I do remind myself that social media is a window of the best times people upload to. For the most part, people who use social media use it to upload fun posts which give the illusion that their whole life is that but most likely isn’t and some posts are “manufactured” and because of this, I can see how FOMO is created from this. 

I’m currently thinking about how I deal with my FOMO and I think I just plan and distract myself as best as possible. I plan future expo events I would like to attend and make sure I save up money but I also try to plan location photoshoots with people so that I have something to aim towards. But as mentioned earlier, what I’m seeing is a small snippet of people’s lives and that FOMO is a temporary experience and that I have other things to look forward to. 

Also, the distraction of editing photos from past expo events helps with reminding myself fun times I had at these events and also concentrating on trying to edit photos with creating the best version of each photo. I have family and friends who drop in on me and help with this aspect of my FOMO.

I hope sharing my experience of FOMO both to an expo event and personal aspects had given people to relate to. 

Should you be struggling with your wellbeing and mental health and need someone to talk to, here is a list of services that we hope can help you.

  • Mind Info Line 0300 123 3393 (Mon – Fri 9am to 5pm)
  • Samaritans 116 123 (everyday, 24 hours)
  • C.A.L.M. 0808 802 58 58 (everyday 5pm to midnight)
  • HOPElinkUK 0800 068 4141
  • YoungMinds www.youngminds.org.uk
  • Anxiety UK 08444 775 774
  • BEAT – eating disorder 0845 634 1414
  • Local Services (NHS Choices or NHS 111)
  • Student Minds www.studentminds.org.uk
  • Boots Domestic Violence
Latest Articles
Mothra & Godzilla from btanselanoican’s gijinka D&D/fantasy kaiju series // Cosplayers: strangecatcosplay & Fooprawn // photos: Ejen Chuang My Mom is a skilled sewist and used to make Halloween costumes for my sisters and I when we were young. My sister was born on Halloween so we always had costumes and fun celebrations. That started my fascination with dressing up in costume and I always had fun doing it.  As I got older, my Mom taught me how to sew. In 2010 I saw Alice in Wonderland, and fell in love with the costume designs Colleen Atwood brought to the screen.  My Mom helped me a lot with making an Alice cosplay, and I went to my first anime convention. I had never been to one, and after that I wanted to go to more. I fell in love with the fun process of making cosplays and have been doing it since. It’s a huge part of my life now, and I met both of my partners through cosplay. Godzilla movies have a special place in my heart. I always loved sci-fi and fantasy, monsters and crazy costumes. Mothra and Battra are my favorites, so when I saw the designs by btanselanoican, I was inspired. It brought back a sense of nostalgia and happiness while making parts of the cosplays. I still have more details that I want to add and fix, but my Mothra cosplay is one of my favorite projects I have worked on in a long time. It was a long process, and involved many different materials. For Mothra, I started with the wig. It involved a lot of cotton batting and white felt to build up the shape without adding a lot of weight, then shaping the wig fibers over that. I made the antennae out of wire and painted felt. The earrings are made of cut brass and painted beads. For the dress, it was a lot of patterning by pinning fabrics to my dressform, making a first draft, then using that to cut the actual fabric. I made a corset and skirt, and then the robe/dress piece that wraps over that. The skirt started out white, but was then dyed to the right colors. The sleeves were the hardest part to figure out. They were dyed and painted by hand, before being sewn to the dress. There are also a lot of appliqued gold fabric pieces on the dress. I made the belt, and all the shiny belt petals are also hand-cut brass pieces. The wings are made of wire and old tights, that I then stitched, painted, and shaped to fit along my back. The staff is made from a PVC pipe and foam base, then I added the electronics. There are green LEDs, and a small 10rpm motor that makes the moth wings move. I covered everything with foam strips, making them look like wood and vines. There are compartments made of foam and magnets, that way I can get to the battery pack or motor if I need to. I then added the paint and flowers. The moths are made of foam, pipe cleaners, painted posterboard, and faux fur. The moth wings are attached to the motor via some old ukulele strings. The monofilament keeps its shape and is light, but also strong. It’s fed through old metal brakeline tubing that goes through the staff. For Godzilla, it was a lot of use of canvas cotton. We found these huge canvas dropcloths at the hardware store, and they were surprisingly soft, but sturdy, after washing them. They have a thick woven texture and take fabric dye really well. We used that for making Godzilla’s pants and shirt. The cape was made of thick cotton, cut, weathered, and painted. The spine has LEDs in it that go up into the hood. His chest and hip armor is all actual leather, patterned by hand and stitched together. The chainmail on the hip armor is hand made as well. His arm and leg armor is more canvas and layers of thick fabric. His shoes are leather and layered canvas and cotton. They are made by hand, and if you look on the bottom they have a Godzilla footprint. All the “claws” on his hand armor and foot pieces are made of bamboo from the backyard. All of the woven rope pieces are cotton wrapped fleece, braided together for a thick and lightweight rope. The sword is PVC and foam for a base. The lights are two different sets: a LED string light set, and a neopixel setup. The neopixels were soldered by hand, and are controlled by a command board that also controls a speaker. We set it to play Godzilla’s roar with custom light animations. It has a plastazote foam to diffuse the lights, and then more EVA foam on top. When I saw the designs I fell in love with the props, the attention to detail, and the use of color. Plus, I have always loved Dungeons and Dragons, so putting them into that universe was such a wonderful idea. I also look for fun challenges when it comes to props, and Mothra’s staff was so beautiful. I couldn’t resist. Having experience in textile studies has helped me so much with my understanding of how different fabrics work with dyes. I used a lot of dye techniques for different parts of these cosplays. Godzilla’s pants and shirt were dyed, Mothra’s skirt was dyed two different times, the sleeves were dyed, painted with more dye, and then painted again. I don’t think I would have been able to make my Mothra cosplay the way I wanted to without that prior knowledge and experience. The best part is the magic staff. I am so proud of how it turned out and the way the moths move makes me so happy! The only thing that I get tired of is that occasionally I run into things with the wire wings, and the long dress can make it hard to go through crowds in convention halls. Disclaimer: All images and videos used, do not belong to FnC and belong to their respective owners. This story first appeared Cosplay In America and if you want to share a “Cosplay Stories” to be shared here on this website, full details can be found here. Like this:Like Loading... [...] Read more...

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